- "I'M INTERESTED IN PEOPLE—THEIR ATTENTION, THEIR GESTURES, THEIR WAY OF BEING WITH OTHERS. I VIEW THE CULTURE OF INTERACTION AS A LIVING SUBSTANCE THAT IS BEING FORMED RIGHT NOW, IN EVERY CONTACT WE HAVE.

AS A SETTING, I'M DRAWN TO INDUSTRIAL SPACES WITH THEIR MULTILAYERED HISTORY AND DISTINCT MEMORY—SCENES THAT RETAIN TRACES OF LABOR AND TIME. IN THEM, I SEEK NOT SO MUCH FORM AS THE IMPETUS FOR THE BIRTH OF NEW MODES OF PRESENCE AND COMMUNICATION. THE SPACE BECOMES A TOTAL INSTALLATION—A NEW STAGE WHERE ARCHITECTURE, DESIGN, AND ART MERGE INTO A COHERENT NARRATIVE. MY METHOD COMBINES MYTHOLOGY AND THE SCENARIO OF AN INNER JOURNEY ADDRESSED TO THE VIEWER.

THE ETHICAL FOUNDATION OF MY PRACTICE IS AN ECOLOGICAL APPROACH TO THE ENVIRONMENT IN WHICH PEOPLE DISCOVER THEIR POTENTIAL. I AM INTERESTED IN THE SENSORY INTERCONNECTEDNESS OF EVENTS, THEIR CONTINUOUS GENERATION FROM ONE ANOTHER, AND THE PURSUIT OF THE HIGHEST POINT OF TANGIBILITY—THE MOMENT WHEN ART BECOMES THE BODY OF SPACE. TOGETHER WITH TEAMS AND CO-AUTHORS, WE CREATE EXPEDITION PROJECTS AND HYBRID FORMS OF ARTISTIC EXPRESSION THAT ENABLE A GENUINE EXPERIENCE OF CO-PRESENCE."

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PRANNA